Architecture Book Description Unquestionably one of the most influential and revered contemporary architects, Peter Zumthor has approached his work with a singular clarity of vision and a strong sense of his own philosophy, both of which have earned him the admiration of his peers and the world at large. Choosing to only take on a few projects at a time and keep his studio small, Zumthor has produced a comparatively few number of realized buildings, but they rank among the world’s most stunning: St. Benedict’s Chapel in Sumvitg, Switzerland; Therme Vals in Vals, Switzerland; Kunsthaus Bregenz in Bregenz, Austria; and the Kolumba Art Museum in Cologne, Germany number among his most famous buildings. This collection, however, explores his entire body of award-winning work from 1986 to 2012 in five volumes, including his lesser-known but nonetheless critically acclaimed works such as the Field Chapel for Brother Klaus near Mechernich, Germany, and the Steilneset. Memorial for the Victims of the Witch Trials in Vardø, Norway. Peter Zumthor presents around forty of his projects, both realized and unrealized, through Zumthor’s own writing, and with photographs, sketches, drawings, and plans. A complete catalog of his works starting in 1979 rounds out the book. Richly illustrated and beautifully designed, this book serves as both an introduction to Zumthor’s work and philosophy for the layperson and a required addition to any architect’s library.
Therme Vals, the spa complex built in the Swiss Alps by celebrated architect Peter Zumthor, became an icon of contemporary architecture soon after its opening in 1996. Inspired by the spa’s majestic surroundings, Zumthor built the structure on the sharp grade of an Alpine mountain slope with grass-topped roofs to mimic Swiss meadows, captured here in a series of sumptuous images. Peter Zumthor Therme Vals, the only book-length study of this singular building, features the architect’s own original sketches and plans for its design as well as Hélène Binet’s striking photographs of the structure.
Architectural scholar Sigrid Hauser contributes an essay on such topics as “Artemis/Diana,” “Baptism,” “Mikvah,” and “Spring”—drawing out the connections between the elemental nature of the spa and mythology, bathing, and purity.
Annotations by Peter Zumthor on his design concept and the building process elucidate the structure’s symbiotic relationship to its natural surroundings, revealing, for example, why he insisted on using locally quarried stone. Therme Vals’s scenic design elements, and Zumthor’s contributions to this book, reflect the architect’s commitment to the essential and his disdain for needless architectural flourishes. This lavishly illustrated volume about the spa that catapulted a remote Swiss village onto the international architecture scene will entrance all enthusiasts of contemporary design.
Peter Zumthor is one of Switzerland’s foremost contemporary architects; he is also an architectural theorist and teacher. His built work includes the St. Benedict Chapel (Sumvitg, Switzerland), the Kunsthaus Bregenz (Austria), the Swiss Sound Box (EXPO 2000, Hannover, Germany), and the Kolumba Art Museum (Cologne, Germany).
What "really constitutes an architectural atmosphere, Peter Zumthor says, is "this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way. Zumthor s passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it?In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and "presence of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.
Therme Vals, the spa complex built in the Swiss Alps by celebrated architect Peter Zumthor, became an icon of contemporary architecture soon after its opening in 1996. Inspired by the spa’s majestic surroundings, Zumthor built the structure on the sharp grade of an Alpine mountain slope with grass-topped roofs to mimic Swiss meadows, captured here in a series of sumptuous images. Peter Zumthor Therme Vals, the only book-length study of this singular building, features the architect’s own original sketches and plans for its design as well as Hélène Binet’s striking photographs of the structure. Architectural scholar Sigrid Hauser contributes an essay on such topics as “Artemis/Diana,” “Baptism,” “Mikvah,” and “Spring”—drawing out the connections between the elemental nature of the spa and mythology, bathing, and purity.
Annotations by Peter Zumthor on his design concept and the building process elucidate the structure’s symbiotic relationship to its natural surroundings, revealing, for example, why he insisted on using locally quarried stone. Therme Vals’s scenic design elements, and Zumthor’s contributions to this book, reflect the architect’s commitment to the essential and his disdain for needless architectural flourishes. This lavishly illustrated volume about the spa that catapulted a remote Swiss village onto the international architecture scene will entrance all enthusiasts of contemporary design.
Product Details
Hardcover: 192 pages
Publisher: Verlag Scheidegger and Spiess (March 15, 2007)
Architecture that is meant to have a sensuous connection to life calls for thinking that goes far beyond form and construction. In his texts, Peter Zumthor articulates what motivates him to design his buildings, which appeal to the visitor's heart and mind in so many different ways and possess a compelling and unmistakable presence and aura.
Now in its third edition, this book has been expanded to include two new essays: "Architecture and Landscape" deals with the relationship between the structure and its surroundings, with the secret of the successful placement and topographical integration of architecture. In "The Leis Houses" Peter Zumthor describes the genesis of two wooden houses in the town of Leis in the Swiss canton of Graubunden, thus thematizing the special challenge of integrating contemporary architecture into a traditional architectural context.
Since the 1980s, Peter Zumthor's buildings have exerted a quiet and autonomous authority within the contemporary architectural landscape. The craftsmanship of his buildings, their physical presence, simplicity and sensitive use of materials create an extraordinary impression. All of Zumthor's projects proceed from a patient search for a basic composition. So-called structural paintings provide first clues about the design and, at the same time, evoke in themselves a meditative pictorial atmosphere. The publication presents this "world of pre-figurations" with the examples of three new projects by the architect. Conceptual and structural sketches and texts by Zumthor recount the genesis of the Thermal Baths in the mountain village of Vals (opened in 1996), of the art museum in Bregenz (opening in 1997) and the memorial and museum building Topography of Terror in Berlin (planned). A series of plans and photographs of the models or realized buildings complete the documentation.
Language Notes
Text: English (translation)
Original Language: German
The importance of the house is fundamental to the human being and is meaningful to the cultural shaping of societies. This book asks to what spatial concept does today's architecture feel committed in this context? The different projects of London-based architect, Tony Fretton, in the UK, the Netherlands and Denmark exemplify a sensitivity to the local characteristics of the particular place in his design process. The buildings of Peter Zumthor, Pritzker Laureate 2009, frequently move between the realms of architecture and sculpture and the eight projects presented here emphasise his respect for the material and his great attention to detail. In contrast, Roger Diener's main focus is given to the urban experience, which is expressed in many and varied forms. He attaches particularly importance to recognising the city as a collective, but at the same time also a separated identity, by trying to understand its unique shape in a specific place and responding to it with his own form of architecture.