This concise, beautifully designed catalog, with its die-cut cover that pays homage to her unique formal vocabulary, presents a large selection of her rarely seen paintings, drawings (including calligraphy drawings which would later be transformed into architecture), notebooks and visionary digital visual work, all of which echo the lightness and weightlessness of her buildings. Many of Hadid’s early paintings pre-empt the potential of digital and virtual reality. These works, which date from the 1970s to the early 1990s, reveal her as an architect with drawing at the very heart of her work.
Hardcover: 168 pages
Publisher: Koenig Books (June 27, 2017)
Language: English
ISBN-10: 3960980574
ISBN-13: 978-3960980575
Product Dimensions: 0.8 x 7.5 x 9.5 inches
is a wildly controversial architect, who for many years built almost nothing, despite her designs winning prizes and critical acclaim. Some even said her work was unbuildable. Yet over the past decade, Hadid has been catapulted to world fame and she has completed numerous structures including the Rosenthal Center for Contemporary Art in Cincinnati (which the New York Times called ’’the most important new building in America since the Cold War’’), the Phaeno Science Center in Wolfsburg, Germany, the 
in Rome, the 
(her first completed project in China), and the London Aquatics Center for the 2012 Olympics. Today, Hadid's audacious and futuristic desings have firmly established her among the élite of world architecture.
became the first woman to win the Pritzker Prize. In the past decade, she has completed a plethora of structures including the Rosenthal Center for Contemporary Art in Cincinnati, the Phaeno Science Center in Wolfsburg, Germany and the Central Building of the new BMW Assembly Plant in Leipzig. There is no doubt that Zaha Hadid has joined the élite of world architecture with her recent work, her audacious and futuristic-looking designs having catapulted her to international fame.
(born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an extraordinary, imaginative exhibition curated and designed by Hadid, which examines this conjunction across four themes or aesthetic qualities: Abstraction, Distortion, Fragmentation and Flotation. 
, 
, 
, and 
Ando, are creating buildings intended to house art--and to function as
works of art themselves. One of the most radical and highly anticipated
of these structures is Zaha Hadid's Contemporary Arts Center (CAC) for
the city of Cincinnati, set to open its doors in 2003. The CAC will be
one of the first museums anywhere in the world designed by a woman, as
well as Hadid's first museum and first building in the United States. A
$15 million project with 20,000 square feet of galleries set on a
smallish, 11,000-square-foot lot in the downtown area, it shows that the
institution that stood by the Mapplethorpe show has extended its
risk-taking attitude and its integrity to the building that will
accommodate its future shows. The seven stories of galleries--each
constructed in a variety of heights and floor materials--are housed in
horizontal tubes and cantilevered toward the street. An "urban carpet"
begins at street level and zigzags up the building's supporting wall,
providing visual and physical access to each of the galleries in a
continuous flow--but without the awkwardness of the tilted ramp that
spirals through Frank Lloyd Wright's Guggenheim Museum in New York. The
exterior of the building weaves together the concrete shell and metal
cladding of the galleries, the glass windows of the offices, and various
electronic displays like a high-tech quilt--and a perfect expression of
the various activities so well-contained within. 
